“… it doesn't comes out on the tripod, I like to put the burlap on the floor, because on the floor I feel more comfortable, closer, more a part of a painting. I can walk around, immerse myself from four different sides, be really a part of a painting. When I am working on my painting I don't realise what am I doing, only after a while I see the direction it took. And I am not afraid to make changes, even to destroy the image, because the painting has its own life and I am just bringing it out and as an artist and author I express my personality and the spirit of the age in which I live. The art is not subordinated to any space or time law, and when the painting seems insignificant or it doesn't express anything, it isn't true. There is no form, nothing in the world that express nothing. The message may not reach but it happens because it has been pronounced in a wrong place. The art never knuckles under, and it is eternally free and has no obligation because the art is something dictated from a deep of our soul.” Luciano Tulipani, born in Spoleto, began to paint in a young age being able to attend artistic circles and environments of Spleto and Rome. A remarkable contribution to his cultural education comes form his journeys to Barcelona and Paris and constant contacts with foreign artists. His painting, after initial figurative experience, includes totally the modern experiences in a field of informal (free) using the technique of “Dripping” in very personal way and also other modern techniques. The surfaces (1 meter x 1 meter) are usually treated with materials pasted in such a skilful way to attest his deep knowledge of materials like “bostik”, “vinavil” glues sawdust, putty, glass colours, etc… Luciano Tulipani	Pollockando, 1975 Pittura, 1976 Bottiglie, 1979 Natura Morta, 1979 Caricatura, 1980 La Corrida, 1980 Ritratto, 1980 Un viso, 1980 Colori Complementari, 1981 Cristo, 1981 Astratto Rosso, 1982 Astratto, 1983 La Macchia Nera, 1989 Astratto, 1990 Omaggio al Suprematismo, 1991 La mia Transavanguardia, 1991 Astratto, 1992 Guardando Gardini, 1992 Spoleto Festival Gran Finale, 2002 Astratto, 1992 Astratto, 1992 Astratto, 1993 Pittura, 1993 Pittura, 1993 Astratto, 1994 Danza del Cigno, 1994 Giocatore di Baseball, 1994 Astratto, 1995 Dopo Cuba su vetro, 1997 Dopo Cuba su specchio, 1997 Il Primo Anno, 2000 Omaggio a Pollock su vetro, 2000 Riempimento, 2002 Astratto, 2002 Finestre, 2002 Astratto, 2002 Nuove Esperienze, 2002 Reinventare, 2002 Ritorno alle Origini, 2002 Reinventare, 2002 Gocce, 2002 Particelle, 2003